Studio 70 Orchestra and Chorus (1972)


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Recording Information

Classification: Studio 70 Orchestra and Chorus
Year of release: 1972
Language: English
Type: Studio cast


Jesus of Nazareth / Judas Iscariot…………Martin Jay
Mary Magdalene…………Sharon Winters
Pontius Pilate…………Tony Steven
and The Studio 70 Orchestra and Chorus

Audio Production Information

Produced by Bill Wellings
Engineer: John Iles

Musical Direction and Arrangements by Len Hunter

Recorded in 16 track at Chappells Studio, London

Track Listing

Side 1:
Heaven On Their Minds
What’s The Buzz
Everything’s Alright
Simon Zealotes

Side 2:
Pilate’s Dream
I Don’t Know How To Love Him
Damned For All Time
I Only Want To Say
King Herod’s Song

Historical Notes from a Fan

When any show is a hit, a lot of people will be quick to capitalize on the show’s success. In this case, Jesus Christ Superstar was one of the first albums of its kind, and everyone wanted their slice of the pie where the Passion According to Tim and Andrew was concerned. At this time, many “budget” labels famous for releasing low-cost sound-alike albums (“knock-off” recordings capitalizing on shows, songs, or albums that became hits) jumped into the fray.

The performers were usually never an actual ensemble that had performed JCS (indeed, in its early days, the number of actual casts performing the show was very few), but instead merely a group of vocalists who recorded songs from the show. Usually, these recordings were very cheaply put together and produced, and priced to own. (In the future, albums like these, now labeled “studio cast recordings,” could no longer be accurately described as simple cash grabs, but at the time, the use of the phrase “knock-off” is appropriate.) Though it may be a matter of opinion, this particular fan feels that since the performers on these studio recordings lack the experience of getting on a stage and performing the show in front of an audience, the performances are pleasant enough, but not always up to par with a real cast album.

Don’t let the opening drum roll deceive you. Though the arrangements are very similar to the Alan Caddy recording, and Martin Jay shows up again (this time in a Jekyll-and-Hyde turn as both Jesus and Judas, showcasing his versatility — and the label’s cheapness — no doubt), this is a different recording. Though popular in fan trading circles now, this was fairly obscure in its day and should only be picked up by a completist, or someone for whom this recording was their first experience of JCS.


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